Wednesday, December 26, 2012

Deadpool: a character analysis

With apologies to my few but nonetheless beloved followers, I've returned from my unplanned hiatus of computer troubles, a trip to Fanime, general distractions, laziness and my senior year of high school. Now with a new laptop thanks to Santa Claus I'm ready to begin anew on my reviews and ramblings.

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It seems as though my initiation to tumblr has lead to a continuing lack of interest in anime, as I move into Western fandoms. Thanks to the recent Avengers movie I've begun my quest into the world of Marvel comics. Usually I don't enjoy American-based comics for reasons that I can detail at another time. So, in trying to make the switch from manga, I decided that a prime choice for an introduction was the popular, modern character known as Deadpool.


For those of you unfamiliar with "the Merc with a Mouth", Deadpool is lovingly seen as the point where Marvel "stopped trying". In his spinoff series Deadpool Corps, the writers expect to be cancelled with every issue.
No such luck.
Wade Wilson (his secret identity) is a smart-mouthed mercenary-for-hire. He catches fans attentions through his witty pop culture references, fanboy quirks and flirtations with Spider-man. Not only this, he's notorious for breaking the fourth wall through said references and his obvious Schizophrenia. Instead of having written narration, the text boxes in his comics are actually conversations held with the voices in his head. This unique detail is coupled with his "pool-o-vision", where the comic will occasionally switch to how he sees things. For example, in the collection Head Trip his love interest, Betty, tells him off not long after they've met, but he instead sees a scantily-clad scientist flirting with him. Later, as a t-rex tries to stomp him he looks up to see a somewhat vicious, oversized Barney the dinosaur.
He's quickly brought to his senses on both accounts.
On top of being funny, Wade is actually an extremely capable adversary. He's highly trained in mixed martial arts and wields an assortment of guns and two katanas he obtained while working in Japan. He's surprisingly intelligent, and holds a Wolverine-like healing factor that grants him near-immortality. In fact, there was a point in Wade's life where he was seeking a way to find an end to his "power".

 

Many of his "fans" have seen only his punchlines or truly bad-ass moments via sites like tumblr without actually reading the comics. However, as implied in the paragraph above, this comedic assassin comes with his own issues and complexities that make my writing brain flail with joy.
Before gaining his healing factor, Wade's body was ravaged by cancer. His mask now hides not only his identity, but skin that has been absolutely ruined by continuously healing and returning scars. Terminal at one point before his power, he had to leave the girl he loved in favor of letting her watch him die.
Wade may seem cocky and fun, but he's extremely self-conscious. He's convinced that no one will ever love him, and actually thinks of himself in very low regard, much like how Tony Stark (Iron Man) guards his own securities behind snarky comments.
Growing up in Canada, little is known of his childhood, but we know he had a both physically and verbally abusive, alcoholic father and a mother who died when he was young. Wade idolized Captain America growing up, and longs to be a hero. Many note his chemistry with Spider-man, as they seem to be the perfect foils for each other. While Peter Parker is good to the core, Wade struggles to do the right thing and can never really put his mercenary ways or impulsive attitude behind him.



Even I have struggled to remember the complexity of Deadpool's character. Currently, I'm involved with a Marvel roleplay with a close friend. When I began writing for Wade, I was impressed that I could handle his character so well. However, he dissolved solely into his mentioned insecurities and jokes. I was forgetting how dark Deadpool, the man who once travelled on a killing spree to those he thought deserved it, could be.


To support my point, I bring to your attention the one-off titled Deadpool kills the Marvel Universe. I received it for Christmas, read it in one sitting, and ended up in a puddle.
The other collection I mentioned, Head Trip was the lead-up to Deadpool Corps. It was fast, funny, and action-packed. This other book was something else entirely.
Wade finally can't handle his ability to see the "truth" - the fourth wall - and instructed by a new, sinister voice, begins slaughtering everyone and everything associated with Marvel Comics, hero and villain alike.
If you kid yourself into thinking of Wade as a "good guy", then you will not be prepared for seeing him shoot Spider-man in the head (shown above), crush Thor with his own hammer, or use his insanity to turn Professor Xavier into a vegetable.
I'm not saying that Wade is necessarily a villain, either. This short arc doesn't seem to affect the rest of the Marvelverse, and moreso seems to be a tool to show the merc off in a darker light.
In the past when I've discussed Deadpool with friends, we agree that Wade is more of an antihero type. He isn't evil, but he's far to corrupted to be wholly good.


That about sums it up. Wade is surprisingly real in his character development, and very entertaining to read. Even if you're not a comic book fan, even doing some research on the character is a lot of fun, which is where I got a majority of the information here. All in all, Deadpool has comics worth reading!

-- Much luvz, Hideki

Saturday, May 12, 2012

Dark Shadows - Movie VS Show

Tim Burton receives a plethora of praise every year for his films, but with a rapid-fire attack on theaters you're bound to get a few duds. Yesterday, I went into the cinema to watch nothing other than Dark Shadows. I'd enjoyed the trailer, and with ads for it popping up everywhere from deviantArt to the sides of busses, I was looking forward to it. However, when a movie released in 2012 is based off of a 60's-era soap opera, it'll take great care to adapt it into something enjoyable.
With that in mind, let's step into a comparison of the two versions of Dark Shadows.


Taking place in New England, the Collins family establishes a fishing industry in the late 1700's. Barnabus, the heir to the Collins empire doesn't return the affections of a seductive witch. In jealousy, she kills his parents, lover, and curses him to a living death as a vampire. She then sets the frightened villagers on him, where he is buried for nearly 200 years.



Fast-forward to the 1970's, Barnabus is unearthed to discover the Collins fishing corporation only a shadow of it's former glory, and vows to assist his dysfunctional descendants in re-building their fortune. However, the witch - now the Collins' number one competitor - is still alive and well, and still very bitter at Barnabus.
Unless, of course, he swallows his pride to be with her and no one else.


Despite the fact that 60's-70's film and television had that campy, over-done style to its acting, it has one thing that it can hold over Burton's adaptation: when you label something as a "soap opera" or "drama", that means the story knows what it's trying to do. This is to deliver continuing installments of a storyline with a dramatic air, usually portraying tragedy and the like. Moving past soap stereotypes, that means we have a solid idea of what to expect, what the writers are supposed to deliver.
The movie trailer portrayed a comedy of sorts with sexual undertones, and that's what I was looking forward to while sitting through the previews.
What I was treated to was a movie that didn't seem to know what the heck it was doing. You have the typical Burton cast - Johnny Depp and Helena Bonham Carter with a few other well-known stars. Yes, the actors were talented; Eva Green's rasp when she spoke made me grin and Chloe Grace Mortez's hippy/beatnik portrayal of Carolyn was hilarious. So what was the issue?
The writing.
It seemed like a drama writer was attempting a comedy, but was too caught up in the story to focus on the jokes. The movie in its entirety was presented as a comedy (leading woman and man get together, bad guy loses, et cetera.) but that was smothered by bad dialogue, pain within the characters, and a not-really-happy ending. The movie was trying to pay tribute to its gothic roots and make people laugh at the same time, when in reality it needed to pick one and stick with it.


The TV show, meanwhile, had writing problems as well. While I only watched the pilot episode, it was failed to serve that purpose: to hook the watchers and pull them in. Still, it was fun to riff-track the bad acting and slow pace, and there's one shot that I laughed at when the cameraman's shadow showed on a character's back.

Burton's Dark Shadows had a lot going for it - a great cast, awesome effects, and a set storyline. Perhaps, however, it needs to stay in the past century for a reason.


- Much luvz, Hideki.

Friday, April 27, 2012

Straight versus Slash Pairings

One of my best friends, whom I call "Hikari" on the internet, labels herself as a fujoshi. According to Anime News Network, this term means "literally "rotten girl," referring to female fans of BL (Boy's Love). The term fujoshi is often used to refer to female otaku in general, however strictly speaking, a female otaku who is not a fan of BL should not be called a fujoshi."
In short: a yaoi fangirl.
Here, I will not deny it: I enjoy yaoi as much as the next girl. However, with any fanbase, hobby or social group, negative stereotypes are attached. I've met various peers younger than me who were watching hard-core shows and reading explicit doujinshi before their freshman year in high school. In all honesty, these cases make me wince. My first encounter with doujinshi was when I was roughly fourteen or fifteen; my fanfiction career didn't start up until I was sixteen; and I've only recently watched my first BL anime this past January, that being Junjou Romantica which is arguably on the tamer side of the spectrum than certain other shows. This being said, I'd like to share a few of my views on the yaoi world, flaws and upsides alike.


Marik Ishtar and Yami Bakura from Yu-Gi-Oh! Artist currently unknown.


First of all, if you're an anti-yaoi girl or a straight guy, you may currently be partaking in two actions: scratching your head or sighing with relief.
First: you may wonder why a girl like Hikari, who comes from a conservative family and approaches a one-year anniversary with her heterosexual partner would enjoy and obsess over... Well, gay porn for lack of a better word. This goes for the massive LGBT population within the anime, game and cosplay community - why would a lesbian enjoy seeing two guys go at it?
I brought this up in discussion with a professional therapist. She very easily stated that sexuality and pornography (though not all yaoi is porn) are two very separate areas. The best example is pointing out how a homophobic man will drool over the sight of two girls kissing - how is a teenager squealing over her laptop any different?
As for the second option - the relieved exhale - save it. It doesn't matter what fandom you love, what shows or movies you have stocked up on Netflix. No one can escape a slash pairing.
If you're trying to argue, claiming you don't partake in anime or manga, that you only play Portal, not Final Fantasy, it doesn't matter.
Whatever the medium, whoever the characters, slash has invaded everything from Harry Potter to South Park. I once stumbled across a picture putting Peeta and Gale from The Hunger Games into each other's arms.


Kyle and Stan from South Park. Art credit goes to greteling on deviantArt.


Moving on: stereotypes.
The conventional fujoshi and weeaboo are lumped together forming a terrifying image of a girl with bubble gum-pink hair looking at you wide-eyed and crying in a high-pitched mispronounced voice, "SO KAWAII DESU!!!"
I'm fortunate not to have these people in my life.
A while back, I was discussing Soul Eater with Spoonychan, an well-known cosplayer and online friend of mine. Her most recent cosplay is that of Death the Kid, and I brought up a recent event I'd been at where a couple was cosplaying said character and Soul together as a slash pairing. We both agreed that we didn't approve of the couple, myself being a strong supporter of Soul and Maka and a closeted lover of Black Star and Tsubaki together - both are heterosexual pairings.
Spoony's older YouTube videos date back to roughly four years ago most of this - guess what - supporting yaoi and shonen-ai while her former cosplay partner, Arxaith, turned me into the fanfiction writer I am today. This doesn't mean, however, Spoony has to only partake in same-sex pairings.
Is this sinking in, yet?


Nick and Ellis from Left 4 Dead 2. Art credit goes to Kaizokukaze on deviantArt.

Really, what else is there to say? I'm not expecting this blog post to change any minds, but I hope it can answer some questions. At the end of the day, friends that yaoi together stay together. Being a squealing fangirl causes strong bonds of friendship... And produces some very interesting art and writing.


Shizuo and Izaya from Durarara! Cosplay credit goes to NamelessCosplay on deviantArt.

- Much luvz, Hideki

Tuesday, March 6, 2012

Mangaman

I love the library, and I think everyone should have a library card. My neighborhood library is where I read the entire Rurouni Kenshin and Buso Renkin manga series. There, I found Afterschool Noghtmare which remains one of my top favorite comics of all time, and where I have also found some very BAD material.
Recently, on one of my annual visits, I picked up a hardback book titled Mangaman.


The book - more like a graphic novel rather than a manga - takes place in an American town named Castleton. Before to a local annual get-together for high school seniors to drink and party, a girl named Marissa Montaigne and her friend Lexa argue about the leading lady's decisions in their last year of school - dumping her uber-popular boyfriend and wearing outrageous outfits ranging to fem!Indiana Jones to Marilyn Monroe - while vaguely mentioning an article in Time magazine. Supposedly, a scientist recently made contact with a boy from another dimension, who is now stuck in our world. Late for the party, Marissa has a run-in with her ex, and they're interrupted by the very boy mentioned earlier. His name is Ryoko Kiyama, and appears to be a living manga character.
Marissa, fed up with her superficial classmates and old life latches on to Ryoko, amazed by a boy who drops speed lines and sound effects in class. As they grow closer, he teaches her to see the world in 2-D. However, not everyone welcomes Ryoko into the community. Shunned for being different, he's persecuted and even attacked all while monsters called Kaiju are determined to enter Castleton through the still-open dimensional rip.


Really, Mangaman was just a fun book to read, plain and simple. Ryoko and his scientist guardian are likeable, Marissa's movements drawn in classic American Superman-esque style are gorgeous, and the gags about the manga world versus ours had me stifling giggles. The fact that Ryoko will have to mop up water from a personal rain cloud or yank hearts off his eyes after seeing Marissa in a kimono make up for the slightly cliched style he's drawn in - something akin to Sailor Moon rather than a modern manga. Then again, that goes for the western characters as well, as they are drawn by a woman who once worked on the Superman comics. The dialogue is realistic, the pace is fast but enjoyable, and throw in a reference to Article 175 and you have a fantastic, quick and easy read for almost anyone - manga-lovers trying to get into Western comics or vice-versa.
I highly, highly recommend Mangaman.

- Much luvz, Hideki.

Saturday, January 14, 2012

Sac-Anime 2012

Written here, out of laziness.
Sorry for the inconvenience. ^_^"
- Much luvz, Hideki.